Best Mountain Museums on the Planet

©istockphoto/tdub303For many countries, mountains represent identity. From the Alps, to the Himalayas, the Rockies, and the Andes, the mountains represent iconic landscapes that define not only a place, but also its sporting achievements and the cultures that reside between them. Mountain museums serve not only as a testament to the conquerors that dared to climb and stand upon summits, but also to paint a portrait of a unique environment, filled with rare flora and mysterious wildlife.

To understand the mountains isn’t just to see them as towers of rock and ice, but to see how their existence shapes the people and cultures that grow within them. These are some of the world’s museums dedicated to mountains, mountaineers and mountain culture.

International Mountain Museum – Pokhara, Nepal1
With a soaring triple atrium, reminiscent of a mountainous skyline and the Annapurna Range rising in the background, the International Mountain Museum of Pokhara, Nepal celebrates the Himalayas in sport, wildlife, and culture. Set in a large, airy space, the museum divides into three galleries: Mountain, for geography, Mountain People, for the cultures that thrive within and Mountain Activities, the one dedicated to Himalayan climbing.

The Mountain Gallery displays information and photographs on each of the world’s 14 8,000-meter peaks from Nepal and Tibet to Pakistan. With rock samples, plant life and wildlife replicas, the museum describes the creation and geology of the Himalayas, formed when the Indian and Eurasian plates collided, thrusting the land upward into the famed peaks known today. The gallery also displays collections of rare Himalayan butterflies, high altitude flora—including the rhododendron, Nepal’s national flower—and a fascinating look at a snow leopard, made famous by Peter Matthiessen’s book.

The Mountain People Gallery is dedicated to the indigenous cultures from the Andes to the Alps and the Himalayas who depend on the mountains as a source of life and how it affects their way of being. A large swath of the gallery is devoted to the Sherpa, originally horsemen and traders who descended from Tibet, who reside across the Khumbu. Besides their famed work as guides and porters, the Sherpas produced innovative techniques to farm at high altitude, built resilient villages out of the materials they found in the high hills and used the mountains as a major part of their folklore and song, seen from the many musical instruments on display. There’s also an exhibit on the lore of the Yeti.

The Mountain Activities Gallery celebrates Himalayan mountaineering, displaying historical equipment from the first ascents of the 8,000-meter peaks such as Maurice Herzog’s landmark climb of Annapurna in 1950, Lino Lacedelli and Water Bonatti’s controversial first ascent of K2 in 1954—a mountain that was not summited again until 1977—and Hillary and Norgay’s conquest of Everest. The gallery traces mountaineering from its primitive beginning, featuring a collection of ice axes, crampons, stoves, sleeping bags and down wear from the 1920s to the modern attire of the early 2000s.

While most of the collection heralds achievement, a small section just beyond the glass cases provides a jarring contrast. Heaps of rope, oxygen canisters and cooking tanks take up almost an entire room. The exhibit represents a collection of trash left by expeditions on Everest over a course of three seasons. It’s a stark and humanizing reminder of the human effect on the mountains and the importance of preserving the pristine environment.

Bradford Washburn American Mountaineering Museum – Golden, Colorado2
Bradford Washburn was an American mountaineer, cartographer, artist and photographer who first surveyed Alaska’s mountains by air and created maps of peaks such as Denali and Everest. After Washburn’s passing in 2007, the American Alpine Club and the National Geographic Society dedicated a museum of mountaineering and climbing to his name, housing collections of relics, maps and photographs that tell the story of American mountaineering both in North America and abroad. Set around a model of Everest, the museum, while modest in size, displays how mountaineering was a part of American culture, from first ascents in Alaska and the Himalayas to a section dedicated to the 10th Mountain Division, the famed infantry who fought across the alpine terrain of Italy and Austria in World War II.

Among one of the museum’s most cherished treasures is a simple antique wooden ice axe that belonged to American mountaineer Pete Schoeing, who used it in an act of heroism known as ‘The Belay.’ In 1953, on the heels of the first conquest of Everest, Schoeing and his team attempted the first ascent of K2 but were trapped in a storm at 7,260-meters (25,000 ft.). With one of his team members suffering from a pulmonary embolism, Schoeing and his group, all roped together, began to descend in the midst of the storm. Suddenly, one of the climbers, George Irving Bell, slipped on an ice sheet and pulled five other climbers down with him. Schoeing, who had been belaying the group, quickly took his ice axe and jammed it into a boulder, arresting the fall of the entire group and saving the lives of five men. Schoeing’s actions earned him an award for heroism in mountaineering and the naming of Schoeing Peak in the Ellsworth Mountains of Antarctica.

Along with the museum, the American Alpine Club maintains a vast library of over 20,000 books, maps, films, photographs, archiving guidebooks, hand-written route maps and documents of mountain culture and exploration. The museum and library also hosts lectures, screenings and social events for the Colorado climbing community.

The Messner Mountain Museum – South Tyrol, Italy3
Italian mountaineer Reinhold Messner entered history as the first person to climb the world’s 14 8,000-meter peaks, and he has dedicated his life to the preservation and education of mountain exploration and culture. The Messner Mountain Museum is not one but six separate museums across South Tyrol in Italy, each dedicated to a separate aspect of the mountains. Set against the dramatic Dolomites, the Messner Museum serves not only as a gallery of Reinhold’s passions, but also a forum to share ideas, spur innovation and conservation and responsibly promote the sports of climbing and mountaineering.

The first museum, set in an unrestored medieval castle in Firmian, is a representation of mountain art and its significance in relation to the history of mountaineering and alpinism. A large seated Buddha looks off to one side representing the Himalayas, while an Inuksuk represents the indigenous people of British Columbia and Alaska. As visitors descend an underground staircase, they delve into a natural gallery carved inside the mountain, where they are granted with sweeping panoramas of the Dolomites and an artistic representation of the mountains told in various mediums including paintings, photographs, and sculpture.

The Dolomites branch, known as ‘The Museum In the Clouds’ is dedicated to the story of traditional rock climbing in the Italian Alps. The museum is built to resemble a church, with 20 naves that document the history of climbing rock in the Dolomites, featuring antique protection devices, hand drawn journals of routes detailing first ascents, ropes, boots and clothing from the first rock climbers to the modern alpinists of today.

Set in Juval Castle, which dates to 1278, the third museum represents mountain myth and spirituality. While a large portion is dedicated to Tibetan and Buddhist iconography such as maps, masks, and prayer wheels, the museum fairly represents all mountainous spirituality, such as the reverence of Ayers Rock to Australian Aboriginals, Mt. Fuji’s reverence in Japan and the importance of the mountains to North American tribes.

The museum at Ripa (Tibetan for ‘Mountain Man’) is a fascinating ‘Living Museum’ that promotes the exchange of dialogue, ideas, and culture between mountain peoples, giving them the ability to share ideas with the local Dolomite community. Messner has previously invited groups from Tibet, Mongolia and North and South America to spend the summer exchanging cultural ideas in a welcoming and open forum.

The Ortles branch is devoted to glaciers and ice, from Alaska to Antarctica and the Himalayas. The museum is situated directly under a glacier that guests can walk directly into, while artifacts, photos, and film tell the story of cold exploration from ice climbing to the crossing of the poles. Alongside the wall, several alcoves portray 13 different mountaineering stories, including some from Messner himself.

The final museum, which opened less than a year ago in Corones, is devoted to the pure sport of mountaineering, rock climbing and exploration of the Dolomites. Messner’s aim with his final museum is to explore the harmonious relationship between athlete and mountain. The collection is still undergoing placement, but it serves as a testament to Reinhold Messner’s true passion.

 

While these museums are centers to the history and reverence of the mountains for many cultures, there are small pockets of regional collections dedicated to the exploration of a particular area.

Boulder, Colorado’s Neptune Mountaineering has a small museum tucked in its store, with artifacts from antique skis to pitons and historical mountaineering equipment set in a fascinating collection.

In the town of Ashford, at the foot of Mt. Rainier, the Whittaker Bunkhouse houses a small collection in their café dedicated to the exploits of Lou and Jim Whittaker, one of America’s most revered climbing families including photographs, ice axes, and oxygen tanks from their many expeditions. Mountaineering is a sport steeped in history and culture as it is in athleticism. In a rapidly changing climate, the mountain museums help preserve culture, history, and the pursuit of freedom in the high hills.